Here she's the main character and you just can't escape her dimwitted, unfunny memory based slapstick shtick. In the first movie its kinda acceptable because she wasn't the main character, she was the (apparent) comic relief. Ellen DeGeneres does a fine job with Dory's voice, I'm not really having a go at her, but the entire character is just God damn annoying. The first issue for me with this movie is the main character of Dory, she's hella annoying. So yes in short its literally the same thing all over again.
As you can imagine the trio meet up with numerous other fishy friends and others not so fishy whilst at the same time there is plenty of danger and more fish abducting by humans. Nemo and his dad Marlin agree to help Dory on her quest and set out towards their destination of California (where Dory's last flashback indicated her parents might be).
Naturally this proves challenging for Dory with her memory problem. As an adult fish Dory keeps having these flashbacks about her parents so she decides to try and find them. We also see how Dory gets involved with the original movies hunt for Nemo. Firstly we get a flashback to show us Dory's young fish life with her parents before she finds herself getting lost (seems to happen a lot to these fish). This time around the story is just as simple and frankly just as unoriginal. So naturally there was going to be sequel, it was inevitable. But with glossy eye-popping visuals and great characters it struck a cord with families. The heartwarming tale of clownfish in search of his young son (also a clownfish) who has been captured by divers, was admittedly a simple and not particularly original one. Gorgeous to look at and utterly adorable, Finding Nemo sets the standard for how animated movies should being terms of entertainment value as well as story and themes ending with the touching, thought-provoking message of how too much protectiveness on the parent's side will repel, but, no matter how independent a child (or fish) believes themselves to be, they'll always need their parents.So back in 2003 Pixar released the movie 'Finding Nemo' and it was a critical hit. And the jokes, what jokes from satire, spoof and slapstick, they'll be a one-liner for everybody here. But the humour is also provided by the great script, which delivers a potentially dull story with wit and soul, and shies away from the sentimentality that could so easily arise of a Disney film. As the forgetful but caring fish, she is sweet and soulful, and provides much of the comedy of the film. But the star of the show is Ellen DeGeneres as Dory. The voice cast are capable and cannily chosen, from young Alexander Gould as the naïve Nemo, as well as Albert Brooks as the bumbling Marlin. Note the masterwork that occurs as an upbeat, jovial number quickly escalates into something darker in a matter of minutes. He creates the essence of the sea, as well as the emotions felt by the fish throughout. But perhaps the best thing about the film is the musical score by Thomas Newman. The animation is of all time high for Pixar, and the sound mixing and editing are also to be credited, as they capture the heart of the sea creditably. The sea is brought to us in such a memorable and unique way that there is brilliance and beauty in every frame. The film often tells a children's tale from an adult's point of view, with risky situations and emotional soul-searching putting stress on a disjointed family.
But the film transcends above just a generic animated film, for there are lessons to be learnt by it too. The characters are all so appealing and sweet that you want to hug each and every one of them, Nemo and Dory in particular. As charming as it is beautiful, Finding Nemo is a joy, both visually and cinematically. The ensuing search and rescue organized by the him is a mass effort by swimming and flying creatures of all sizes and personalities, such as a threesome of vegetarian sharks, a fish with short term memory and an aged turtle, all helping him realise the error of his ways in restricting himself to just his home. When Nemo gets caught by a scuba diver and taken away, it is up to Marlin to swallow his own fears and find Nemo. Marlin, a nervous and neurotic clownfish is heavily overprotective of his son Nemo, who only wants to explore the sea in its entirety.
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